Razstava zajema obdobje od začetka njegovega ustvarjanja leta 2000 pa vse do danes, vključuje pa tudi umetnikovo najnovejšo produkcijo, izvedeno prav za razstavo v Mestni galeriji Ljubljana. Furlan se je v preteklih dveh desetletjih uveljavil v slovenskem in mednarodnem umetniškem prostoru kot avtor t. i. ciničnih strojev, objektov, video del ter performansov, prežetih z družbeno kritičnimi vsebinami in ironičnim humorjem. V svojih delih se že od vsega začetka osredotoča na problematiko človeškega dela v dobi avtomatizacije in robotizacije, ko postaja človek tudi sam vse bolj podoben stroju. Obravnava vedenjske vzorce človeka v kontekstu njegove ujetosti v vsakodnevno rutino in načenja vprašanja o problemu repetitivnih in nesmiselnih opravil ter o vlogi posameznikovega telesa v sodobni družbi. Uprizarja in komentira tudi različna druga patološka družbena stanja. Razstava bo zajela ključne avtorjeve ustvarjalne faze, med drugimi bo predstavljen tudi eden njegovih najbolj znamenitih in uspešnih večletnih projektov, in sicer serija Wear, ki je nastajala od leta 2005 do leta 2015 in je satira na temo izkoriščanja delavca v dobi neo-liberalnega kapitalizma. Postavitev zajema različna avtorjeva ustvarjalna področja, od razširjenega polja skulpture, kinetičnih objektov, instalacij do videa, performansa in knjige umetnika.The exhibition encompass the period from the beginning of his artistic career in the year 2000 to the present day, including the Furlan’s latest production created specifically for the exhibition at the City Art Gallery Ljubljana. During the past two decades, Furlan established himself in the Slovenian and international art scene as the creator of the so-called cynical machines, objects, video works, and performances that are infused with socially critical content and ironic humour. His works have always focused on the issues of human labour in the era of automation and robotization, when humans are becoming increasingly more similar to machines. He addresses behavioural patterns within the context of daily routines and raises questions about the problem of repetitive and senseless tasks and the role of an individual's body in contemporary society. He also stages and comments on various other pathological social conditions. The exhibition presents key phases in the artist’s creative development. Among other works, one of his most renowned and successful multi-year projects, the Wear series that was created from 2005 to 2015, and is a satire of the exploitation of workers in the era of neo-liberal capitalism, will also be presented. The show encompass the artist’s diverse creative areas, ranging from an expanded field of sculpture, kinetic objects, and installations to video, performance art, and an artist’s book.