Borut Savski
umetniki
umetniki
Novice z omembo te osebe
Photo: Borut Savski Photo: Veronika Markeš ...
Disinformation + Savski in Zone
Cirkulacija 2
Cirkulacija 2 is glad to announce the coming of spring & the second performance in ZVO.ČI.TI so.und.ing DUO 2018 series with: Disinformation Borut Savski wednesday, 21. March 2018 at 20.00 Kino ...
Herman & Savski: Vračnica in bali; prva javna vaja
Radio Študent
Pred drugo javno vajo, ki se bo zgodila ta četrtek ob 20.15 v prostorih Cirkulaciji 2, v septembarskem RADAR-ju bomo prisluhnili prvi javni vaji dueta Bogdana Herman in Borut Savski. *** V ...
Danes ob 20h Ljudmilin Digitalni obrok z Borutom Savskim: Cirkulino // // Lepo vabljeni tudi na nadaljevanje v RogLab, v sredo 2. oktobra, ob 20h // Naj živi arduino!Borut ...
Video z omembo te osebe
ATSUKO AND SUMISH ARE DANCING
Egon March Institute
Documentary video of dance performance in Cirkulacija 2, Ljubljana, on June 3rd 2024 - 8pmChoreography and dance: Masayuki Sumi and Atsuko Wada, Voice: Barbara Thun, Music: Marko KošnikProject ...
DITOPIA ATMOS LJUBLJANA
Egon March Institute
Photo animation is based on an extensive collection of "walk - laps" photographs, captured during a continuous walk through the exhibition openings in some event spaces in Ljubljana, mainly in ...
TOMAŽ KOLARIČ: DIALOŠKOST IN EMPATIČNOST / DIALOGUE AND EMPATHY
SODOBNA UMETNOST / CONTEMPORARY ART
Ključne besede pri Kolaričevem umetniškem pristopu so: gibljivost, gestualnost (t.i. dripping, taljenje materije), teleskopiranje (iz svitka v objekt), ritem in melodika. To velja tako za ...
Oppera Teorettikka Internettikka – created and performed by Igor Štromajer (singing HTML and Java in English and Slovenian language).18 March 1999Opera and Ballet of the Slovene National Theatre ...
Srahovito Lutkovno gledališče Maribor
Lutkovno Gledališče Maribor
Tin Grabnar in Ana Duša STRAHOVITORežiser Tin GrabnarAvtorica likovne podobe Zala KalanDramaturginja Ana DušaAvtor glasbe Mitja Vrhovnik SmrekarProgramer in tehnolog Borut SavskiLektorica Metka ...
