Razstava raziskuje potencial fikcije za ponovno vzpostavitev odnosa s svetom, ki je nepopravljivo razdejan. Na ozadju številnih kriz, s katerimi se soočata človeštvo in planet, se razkrajajo naše pripovedi o nenehni rasti, medtem pa se vse bolj dozdeva, da je bil napredek od nekdaj vezan na propad. Sedanji trenutek zaznamuje občutje izgube, preteklost, sedanjost in prihodnost pa je težje razvozlati kot kdajkoli prej. Medtem ko se predstave o nekoč odprti prihodnosti spreminjajo v čedalje bolj brezizhodne obete, sta poglavitni preostali sili v svetu vztrajen razkroj in nebrzdana spekulacija, ki oblikujeta podnebje in trge, rudnike in telesa ter bite in atome.Spekulacija in razkroj, apropriirana kot ustvarjalna procesa, postaneta odprtina za raziskovanje alternativnih tokov preteklosti, sedanjosti in prihodnosti, ki sprejemajo prelome, motnje in neznana znamenja sedanjega trenutka, da bi oblikovali množico vzporednih svetov. Svetov, ki se razprostirajo po arhivih in v virtualnem prostoru, se vpletajo v infrastrukturna zaodrja, se porajajo v latentnih vektorjih generativnih procesov ali razpadajo na spletu, se prepuščajo silam opustelih naravnih in urbanih območij, kot duhovi naseljujejo medije preteklosti ter pronicajo skozi nekonvencionalne kanale … Fizični in virtualni prostori, porozni in plastični v procesih oblikovanja sveta, postanejo peskovniki za reprogramiranje pripovedi, navezovanje stika s pojavi in časovnimi okviri onkraj človeške zaznave ter raziskovanje liminalnih oblik subjektivnosti.The exhibition explores the potential of fiction to reconstitute a relationship with a world ravaged beyond repair. Against the backdrop of numerous crises facing humanity and the planet, our narratives of continuous growth are dissolving, and it is becoming increasingly clear that progress has always been bound with collapse. The present moment is marked by a sense of loss, while the past, the present and the future are harder to unravel than ever. As imaginaries of what was once an open future turn into increasingly bleak prospects, the two main remaining forces in the world are steady decay and rampant speculation, which shape climates and markets, mines and bodies, atoms and bits.Speculation and decay, appropriated as creative processes, become an opening for exploring alternative currents of the past, the present and the future, which embrace the ruptures, disruptions and unknown signs of the present moment in order to form a multiplicity of parallel worlds. Worlds that sprawl across archives and within virtual space, embed within infrastructural backrooms, emerge in latent vectors of generative processes or slowly rot on the web, surrender themselves to the forces of desolate natural and urban sites, inhabit the media of the past like ghosts and seep through unconventional channels … Physical and virtual spaces, porous and plastic in the processes of world-making, become sandboxes for narrative reprogramming, connecting to phenomena and time scales beyond human perception, and exploring liminal forms of subjectivity.